After purchasing a property in Amityville, New York, Debbie (stage veteran Dawna Wightman) and her husband (Hangfire’s David Stein) invite three of their closest friends to help renovate. Immediately uneasy in her new surroundings, Debbie begins experiencing shockingly vivid nightmares. Vague unease turns to outright terror when the home’s inhabitants discover its brutal past, and a mysterious visitor turns up dead. As the line between nightmare and reality disappears, their focus shifts from renovation to escape, but it’s not clear who can be trusted – or who will make it out alive.

Five military veterans, best friends since childhood, gather together in a Brooklyn brownstone several months after the end of World War II, and the metaphoric ghosts of their past become all-too-literal.

The largest computer gaming firm in the country has just completed its latest and possibly greatest virtual reality game, “Pleasure”. But the erotic program has a deadly computer virus that meshes the realms of reality and fantasy when its host, Vixen (Tammy Parks, Attack of the 60 Foot Centerfolds), takes the player into a journey through the senses. Play at your own risk!

When a music video shoot on the seemingly tranquil Lake Infinity turns into smorgasbord of horror, death and blood-gushing mayhem, it can only mean one thing... ACID HEAD, a horribly scarred axe-wielding maniac with a grudge against interlopers, is loose!

Forced to earn a living by accepting demeaning roles negotiated by her erratic husband, Nadine Chevalier (Schneider) encounters tabloid photographer Servais (Fabio Testi) on the set of her latest film. Desperate to win her affections, Servais secretly uses money borrowed from a shady associate to bankroll her next project, a production of Richard III with Nadine starring opposite the maniacal German thespian Karl-Heinz Zimmer (Klaus Kinski).

In 1930, sea captain Russel Marsh saw the light, and for 93 years his body was not his own. Inhabited by a Great Old One, he committed unspeakable acts in the name of the Esoteric Order of Dagon. Now free, he is in search of a way to go back in time to reverse the horrors wrought upon the world. But the cult has other plans and will stop at nothing to destroy him.

SAMURAI WOLF: Isao Natsuyagi stars as Kiba, a charismatic ronin who wanders into a small town and ends up ensnared in a local conflict that's more than meets the eye. After dispatching a pair of highway criminals seen robbing a courier wagon, Kiba agrees to assist a beautiful blind woman who runs the local shipping company. Double- and triple-crosses ensue, illustrated with savage but economical violence courtesy of famed director Hideo Gosha's (THREE OUTLAW SAMURAI, VIOLENT STREETS) striking black and white filmmaking. The result is a lean and mean triumph of samurai cinema, cementing Gosha's status as a master of the genre.

SAMURAI WOLF 2: HELL CUT: Charismatic ronin Kiba (Isao Natsuyagi) returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.

Originally created on the YouTube channel Slope’s Game Room, these popular short films look at how classic horror franchises such as Friday the 13th™, SAW™ and The Evil Dead™ began their gruesome journeys. We look at the creation of classic comics such as The Mask™, Howard The Duck™ and Scott Pilgrim™. Ever wondered how Robocop vs Terminator™ and Alien vs Predator™ began their timelines? What about the creation of classic cartoons shows such as Beavis & Butthead™?

A 21-year-old debt collector making a dishonest living in the bustling criminal economy in the Sichuan Province city of Zhenwu, all while aspiring to a better life than that which his ailing, ex-gangster father (an excellent Qi Zhi) has lived.

Ultramegalopolis presents a 2 and a half hour psychogeographic tour through the vast, post-riot, urban sprawl of Los Angeles, California circa the early ‘90s. Explore the war zone from within its graffiti-covered walls as director Larry Wessel trains his camcorder lens on a dizzying display of the city's most peculiar niches and residents including disabled street performers, junkies, sidewalk religious zealots, ex-cons, celebrity impersonators, and living mannequins. Visit the site of the infamous McMartin pre-school, hear the confessions of Charles Manson’s former cellmate, and experience the subterranean boxing gyms, wrestling rings, graffiti yards, and bullfighting arenas of America’s smog infested City of Angels.

Vacation! is an existential beach party movie about life, death, sex and drugs. When four college friends reunite for a girls’ week at the beach, it’s all bikinis, piña coladas and dance parties at first. But the fun soon fades away… After procuring a psychotropic drug from a sketchy surfer dude, the girls take a very strange trip into the abyss.

Follows a land surveyor on an assignment to measure an ancient forest for a developer but soon loses his reason in a supernatural environment that has its own plans.

Brief Encounters 1967

Kira Muratova’s first solo feature already displays her sui generis approach to cinema, in an impressionistic portrait of women at work and in love. Through an intricate play of flashbacks and shifting perspectives, Brief Encounters reveals the tangled romantic triangle that connects a hard-nosed city planner (played by Muratova herself), her free-spirited geologist husband (legendary Soviet protest singer Vladimir Vysotskiy), and the young woman from the countryside (Nina Ruslanova) whom she hires as her housekeeper. Blending observational realism with striking New Wave–style experimentation, Muratova crafts a wryly perceptive study of two very different women bound by chance and each navigating her own career, dreams, and disappointments.

The Long Farewell 1971

With its daring formalist freedom, Kira Muratova’s pointillist family portrait so perplexed and unnerved Soviet censors that it effectively halted her career for years afterward. A kind of psychological breakup movie, The Long Farewell traces the growing rift that develops between an emotionally impulsive single mother (stage legend Zinaida Sharko, transcendent in one of her first film roles) and her increasingly resentful teenage son (Oleg Vladimirsky), who upends her world when he announces that he wishes to live with his faraway father. The seemingly simple premise is rendered anything but by Muratova’s dreamy, drifting style, with off-kilter framing, editing, and dialogue continually pushing cinema’s aesthetic and expressive boundaries outward.

Centered on an intense reenactment of Coolidge’s experience of rape in her adolescence, the film casts Michele Manenti (also a survivor) as the director’s younger self, and observes the actor and her castmates as they engage in a profound dialogue about what it means to recreate these traumatic memories, and about their attitudes concerning consent and self-blame.

The writer-director plays “Albert Brooks,” a narcissistic Hollywood filmmaker who plans to spend the year in Phoenix embedded with Warren and Jeanette Yeager (Charles Grodin and Frances Lee McCain) and their two children, deploying an arsenal of cutting-edge equipment (including the over-the-head Ettinaur 226XL camera) to capture an American family’s ordinary day-to-day. Chronicling the project’s disastrous fallout, as the meddlesome Albert can’t help getting too close to his subjects, this pioneering mockumentary is more relevant than ever amid today’s media landscape.

Reeling after his second divorce and struggling with writer’s block, sci-fi novelist John Henderson (Albert Brooks) resolves to figure out where his life went wrong, and hits on an unorthodox solution: moving back in with his relentlessly disapproving, cheerfully passive-aggressive mother (Debbie Reynolds), whose favorite son has always been John’s younger brother, Jeff (Rob Morrow).

The life of Emperor Puyi, who took the throne in 1908, at age three, before witnessing decades of cultural and political upheaval within and without the walls of the Forbidden City

A mystery wrapped in conspiracy and secrets, Hidden City tells the story of James Richards (Charles Dance), a writer sucked into a search for a lost piece of film by Sharon Newton (Cassie Stuart), a video librarian. What they stumble upon are cover-ups, tense searches, and possible danger.