1963: in the thick of the Cold War, roguish CIA agent Napoleon Solo (Henry Cavill, Mission: Impossible – Fallout) forms an uneasy alliance with brooding KGB officer Illya Kuryakin (Armie Hammer, Call Me by Your Name) to thwart a criminal organization with apocalyptic intentions. The rebellious daughter of a missing nuclear scientist (Alicia Vikander, Ex Machina) is their only ticket inside the sinister ring – but to whom is she truly loyal? A desperate race against time will determine whether the scientist’s atomic research will shatter the delicate balance of power in the world.

Overnight fame, overnight fortune, and any-night girls, the men of Banjo Baker’s racing team press ‘em all to the limit in this story of three ambitious young drivers trying to make their names in the thrilling world of stock-car racing. It’s a dangerous life for the drivers and the women who love them. In the red zone beyond 7000 RPM the engine might blow, but it’s the only way to win.

First up, Nico then shows a more thoughtful side in The Time Traveller, where the widow (Adrienne Barbeau, The Fog) of an astronaut and her young son come across a mysterious man (Kier Dullea, 2001: A Space Odyssey) with uncanny powers on a beach in Greece. The wacky Sky High sees three American jocks on holiday in Greece being handed a tape by a mysterious figure, who begs them to not let it fall into the wrong hands before being shot by an unseen assassin. Featuring an early score from the great Hans Zimmer, Terminal Exposure focuses on two carefree beach photographers, who accidentally photograph a murder and immediately set after the assassin: a tall, gorgeous blonde with a rose tattoo on her behind. Glitch! sees two bumbling burglars whose attempt to throw the house party of the century in the luxury home of a Hollywood producer is foiled by a group of mobsters determined to collect what the producer owes them – no matter what. Take a martial arts school, throw in a snotty rich kid, a clumsy geek, a paranoid survivalist, two beach joggers, a cool secret agent and a mime, and you get Ninja Academy, a madcap karate comedy like no other starring Gerald Okamura (Big Trouble in Little China). Finally, in The Naked Truth, Mastorakis pays homage to a certain Billy Wilder film when two friends decide to pass as women and pose as makeup artists for a local beauty pageant to elude a vicious mafia boss. It seems like the perfect cover, until the mafioso gets the hots for one of them!

Aspiring San Francisco folk singer Rose (Lili Taylor) and hotheaded, Vietnam-bound marine Eddie Birdlace (River Phoenix), who meet on the occasion of a cruelly misogynistic party where men compete to bring the most unattractive dates they can find. But what begins as a night to forget unexpectedly develops into something far more meaningful

I Am Cuba unfolds in four explosive vignettes that capture Cuban life on the brink of transformation, as crushing economic exploitation and inequality give way to a working-class uprising

Adapted from a novel by László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown time in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens that builds inexorably toward violence.

Based on an acclaimed 1967 novel by Joan Lindsay, Picnic at Hanging Rock is set at the turn of the twentieth century and concerns a small group of students from an all-female college who vanish, along with a chaperone, while on a St. Valentine’s Day outing.

Aimlessly passing their days in the concrete environs of their dead-end suburbia, Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui)—Jewish, African, and Arab, respectively—give human faces to France’s immigrant populations, their bristling resentment at their marginalization slowly simmering until it reaches a climactic boiling point.

A young woman named France (Mireille Perrier) returns to Cameroon to visit the former colonial outpost she grew up in during the last days of French rule. Upon arrival, she recalls her childhood in Mindif. The only child of a sole white family, the Dalens, France forms a strong connection with their ‘houseboy’ Protée (Isaach de Bankolé). A quiet and observant child but still too innocent to fully understand the simmering sexual and racial tensions in the adults around her, France finds her idyl shattered when a plane full of strangers makes an emergency landing nearby.